2016 Obama’s The us takes audiences on a gripping visual journey into the heart of the worldas most powerful office to reveal the struggle of whether one man’s past will redefine The us over the next four years. The film examines the question, “If Obama wins a second term, where will we be in 2016?” Across the globe and in The us, people in 2008 hungered for a leader who would unite and lift us from economic turmoil and war. True to Americaas ideals, they invested their hope in a new kind of president, Barack Obama. What they didn’t know is that Obama is a man with a past, and in powerful ways that past defines him–who he is, how he thinks, and where he intends to take The us and the world. Immersed in exotic locales across four continents, best selling writer Dinesh DaSouza races against time to find answers to Obamaas past and reveal where The us will be in 2016. Right through this journey he discovers how Hope and Change became radically misunderstood, and identifies new flashpoints for hot wars in mankindas greatest struggle. The journey moves quickly over the arc of the old colonial empires, into Americaas empire of liberty, and we see the unfolding realignment of nations and the shape of the global future. Emotionally engaging, 2016 Obamaas The us will make you confounded and cheer as you discover the mysteries and answers to your greatest aspirations and worst fears.
Watching Dinesh D’Souza’s 2016: Obama’s America in the wake of the 2012 U.S. presidential election is an interesting experience. Since the film was clearly produced and released (in July ’12) with the intention of convincing Americans not to reelect Barack Obama, does the truth that he won anyway render it irrelevant? Or is it a good thing that now that Obama will remain in the White House, we’ll have a chance to see if D’Souza’s dire predictions about the havoc the president will wreak on the nation (cutting the military, raising taxes, continuing to ignore Iran’s nuclear potential, spending money irresponsibly, and so forth) will come true? It’s the filmmaker’s contention that Obama’s dreams, aspirations, and values come from his father; even supposing he barely knew Barack Obama Sr., his mother passed on his influence–influence that was largely misguided, as the elder Obama was a radical anti-colonialist whose son has spent his life trying to “grow to be worthy of his father’s love… the love he never got.” D’Souza illustrates his thesis by means of reenactments, interviews (including quite a lot of face time for himself), footage from visits to Kenya (Obama Sr.’s native country) and Indonesia (where the president briefly lived with his mother and stepfather), and excerpts from Obama’s first book, Dreams from My Father, read by the president himself. He does his case no favors by not talking to anyone with a differing point of view; at the same time, he tends to prod those he does interview into giving the answers that he wants to hear (“Do you see Israel as a little colonial power in the Middle East?” is typical), and his references to “founding fathers” of Obama’s alleged radicalism (William Ayers, the Rev. Jeremiah Wright, et al.) are old and tired. About an hour into the story, having declared the new brand of anti-colonialism (unlike the older kind, which helped India, D’Souza’s own homeland, rid itself of the British) to be “anti-capitalist (and) anti-Christian,” he declares that Obama “possesses a Third World, anti-American view.” At that point, pretty much all pretense of objectivity is abandoned; this is where the true believers will move closer and turn up the volume, whilst others will turn off their TVs in disgust. That’s unfortunate, as the end result will be that those predisposed to mistrust Obama will find nothing to soften their view here; neither will those who think it’s nothing but hateful, divisive nonsense. –Sam Graham